Last night I saw a lovely Aussie indie film That's Not Me at Kino Cinemas. I highly recommend it for anyone who is working in the film and television industry (because there are so many characters that I recognised from my day to day life) but I also recommend it if you love going to the movies. It's so heartfelt and beautiful. I even had the luck of meeting writer/actor Alice Foulcher when we came out of the cinema.
There's something in the zeitgeist at the moment in Australian film and tv - there are a few things I've seen where the premise is someone struggling in the industry. I was even apart of the process of making a webseries HActresses (which launched on Monday) which deals with two women trying to get a big break. There was another web series launched at Melbourne WebFest which dealt with similar themes. I even wrote a few short webisodes about two housemates struggling as writers and directors (yet to be produced as other projects got in the way).
But what I find that is incredible about the Australian industry, is that even though we are small and very interconnected, when similar ideas pop up - there are hundreds of things that also make them unique.
That's Not Me got me thinking about why I want to act, why I want to write and why I want to direct films. At first I thought it was because my Aunty gifted me this little star when I was three years old...
My little Hollywood star - so I don't need a real one ;)
... but delving deeper it's because the process of making a film or episode is like being a cog in a big machine. No matter how long or short your stay on set, everyone has an important role to play and when the machine is up and running, it's a fantastic thing to be apart of. You spend so much time together and there is always something to learn from someone, even if it's not something you thought you'd be interested in.
The team behind HActresses - photo by Sarah Walker
Every set, every project, every director, actor, writer, gaffer, soundie, cinematographer, set designer, makeup artist, extra, set, continuity, producer, art designer, manger has something different and new to bring to the table. No set is the same and gosh, that's why I love it so much. You are constantly prepared for and expecting the unexpected. I've learnt so much on big productions that I was able to bring that experience to smaller productions, and then in turn, bring the experience of smaller productions to bigger ones again.
Little old me, chatting with my DP Nick Kerr on the set of No Matter What, a short I wrote and directed. Photo by Stephen Loats.
I can't wait to get into the editing process for my short film No Matter What, it will be another new experience for me.
This blog post unintentionally turned into a love letter to the industry, rather than a short and sweet analysis of it. Whoops. Back to the usual stoic responses to life soon...
xxmk
Double checking the footage with the cast and crew of No Matter What. Photo by Stephen Loats